After twenty years as Sean Baker’s right hand, Tsou’s iPhone-shot debut reframes Dogme realism for a Taiwanese family drama set inside Taipei’s night markets.
Indeed. The iPhone cinematography worked because it feel like an extension of the films story world rather than a gimmick. Also didn’t feel like “oh the filmmaker just had no money”
Indeed. The iPhone cinematography worked because it feel like an extension of the films story world rather than a gimmick. Also didn’t feel like “oh the filmmaker just had no money”